Art Works Owned by Paisley Art Institute
Renfrewshire Council · 21 February 2024
Back to Leadership Board — 21 February 2024 and its agenda
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___________________________________________________________________ To: Leadership Board On: 21 February 2024 ___________________________________________________________________ Report by: Chief Executive and Director of Finance and Resources ___________________________________________________________________ Heading: Art Works Owned by Paisley Art Institute ___________________________________________________________________ 1. Summary 1.1 This report concerns the identification of art works owned by Paisley Art Institute Charity Number SC000840 (“PAI”) and proposed arrangements for the uplift of works from the Secret Collection Museum Store, Paisley. ___________________________________________________________________ 2. Recommendations 2.1 The Leadership Board is requested to: (a) Approve the release of the Objects listed at Appendix 1 of this report to PAI; (b) Authorise OneRen’s Chief Executive to make appropriate arrangements with PAI for the uplift of the Objects; (c) Note that the Trustees of PAI have each provided, to the Council and OneRen, warranties which confirm PAI has full legal title to the Objects and indemnities against any liability arising from competing ownership claims; and (d) Approve the updating of historic records to show that the Objects have now been confirmed to be under PAI ownership and to correct any reference to the Objects being listed in the art registers of the Council or its predecessors. ___________________________________________________________________ 3. Background 3.1 Paisley’s Museum was first established in 1871, initiated by the developing collection of the Paisley Philosophical Society and the library collections. The
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museum later came to incorporate Scotland’s first public observatory and was expanded a number of times to accommodate a growing interest in building Paisley’s collections and displays. 3.2 As well as the Paisley Philosophical Society, Paisley Art Institute (PAI) has a long history of association with the museum, being the first to use the extended gallery space in 1915 to exhibit its members’ work and alongside the town’s museum, establishing its own art collection. In the early part of the 20th century, members of PAI also sat on the town’s museum committee. As well as shared members, the museum committee and PAI shared an interest in the artwork they collected. The civic art collection is formed by 3,267 artworks, the entire civic collection incorporates some 350,000 Objects. 3.3 PAI used the museum premises to store their collection by informal arrangement and without charge. The artworks for both the civic and PAI collections were, therefore, held in shared storage and as a result, particularly in the early part of the 20th Century, were at times referenced in some of the same catalogues and collection registers. This practice was technically incorrect as they were separate collections, and the museum register should only record works owned by the civic body. Further, the museum’s historical collection documentation used multiple formats and methods in recording, documenting, and management. For example, over the museum’s 150-year history there have been over 20 different numbering systems used to document the collection. This does not reflect modern-day professional museum practice established in recent decades. 3.4 Therefore, the practice for cataloguing and documentation used by both the museum and PAI in the first part of the 20th century appears to be inconsistent, incomplete and at times inaccurate. The historic working arrangements have presented challenges in clearly identifying the provenance of each work and its status in each collection as distinct entities. This has been exacerbated where there are examples of both organisations benefiting from the same bequest and where there is evidence to suggest frequent movement of works between public and private locations in the past, without any formal object movement or exit documentation. 3.5 Since the formation of Renfrewshire Council, and later the Council’s commissioning of Renfrewshire Leisure Limited (now known as OneRen) to manage the museums service on its behalf, significant improvements to collections management have been made. The different numbering systems have been consolidated so that the information associated with each system is properly recorded, and standardised, ensuring information is more readily searchable and accessible. Present-day collection management policies and procedures are developed in line with best practice and include a programme for digitising object records. In the first instance, the digitisation process has
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focused on the objects planned for display in the new museum. To date 33,727 object records have been digitised including those formally on loan. 3.6 As part of the preparatory work for the Paisley Museum Re-Imagined Project, PAI and the museum service jointly recruited a researcher to undertake digitisation work and improve collection management records, work funded by the Council and the National Lottery Heritage Fund. The subsequent report confirmed that 240 works held within the museum store could be evidenced to legally belong to PAI. Since then, four further works have been confirmed as belonging to PAI and PAI’s Trustees have confirmed, to date, that the art works listed in Appendix 1 to this report (“Objects”) are in PAI’s ownership. 3.7 The museum service has identified historical records relating to a further three PAI owned works dating between 1929 and 1951 that have not been documented as seen within Council premises, or those of its predecessors, for more than 70 years. All three have incomplete records and as far as can be currently determined, do not appear in any museum records beyond the early-1950s. None are listed in the museum inventories of 1968, 1975, 1996,1997,1998, 2017 or 2019. Due to the passage of time, if no further information comes to light, these items may be listed as presumed lost, pending a final outcome report. 3.8 The museums service has identified a further work which is believed to belong to PAI which was moved to the McManus Galleries in Dundee in 1955. Consultation with PAI and McManus Galleries will be required in relation to the potential return of that work. This item and the three mentioned in paragraph 3.7 are listed in Appendix 2. 3.9 PAI’s Trustees have advised they believe further artworks held by the museums service under the civic collection legally belong to them. The museum team is not currently in possession of, nor has received, any documentation to confirm this. However, as with all cases, it remains open to updating records and where proven, ownership. 3.10 To address the lack of formal arrangements and bring clarity to the distinction between the two collections and their use, in August 2023, a formal approach was made to PAI proposing two agreements. Firstly, a Collections Agreement for the continued storage of their Objects in the Museum Store. An annual fee of £10,000 was proposed to cover the storage, curatorial and insurance costs, in recognition that these works, whilst not used by the museums service and not part of the civic collection, would continue to be cared for through the public purse. Secondly, a Loan-In Agreement for 43 historic PAI artworks that had previously been selected for display in the new museum with PAI’s agreement and which PAI had already given permission for the project to conserve at the cost of £53,000. As is usual practice, the agreement provided
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for the borrower (in this case the Council through OneRen) to cover all costs associated with items on loan. These proposals were, however, rejected and PAI’s Trustees have intimated they wish, instead, to arrange to uplift all Objects from the Council’s storage facilities. 3.9 OneRen staff have been liaising with PAI and their legal representatives on the logistics of the proposed uplift which, given its scale, will require careful planning and management. Although OneRen staff will oversee and document the uplift and will control access to the Museum Store, specialist art handlers, commissioned and paid for by PAI, will be responsible for the handling and removal of the Objects. Further, it will be PAI’s responsibility to ensure appropriate insurances are in place for the uplift as well as all packing requirements. 3.10 Due to the historic, informal practice identified in the earlier relationship between PAI and the museum, and the volume of works involved, the museum service continues to seek advice from national bodies such as the UK Museums Association and National Museums Scotland regarding the updating of records within current-day practice. The Council’s historic museum records will be updated to indicate any objects that were previously registered in error and therefore not formally part of the civic collection. It is possible that in future, further anomalies of this type may come to light, in which case the museums service will be able to follow the same process. 3.11 Given the lack of documentation concerning the Objects, PAI’s Trustees have each provided, to the Council and OneRen, warranties which confirm PAI has full legal title to the Objects and indemnities against any liability arising from competing ownership claims. 3.12 The Collections Agreement between Renfrewshire Council and Renfrewshire Leisure Limited dated 2 July 2015, outlines the obligation of and agreements between Renfrewshire Council and Renfrewshire Leisure Limited (now known as OneRen) in managing the civic collection and transactions associated with the collection. Such transactions include acquisitions, lending and borrowing, research and disposal. Whilst OneRen prepare and manage such requests, they must be authorised by the Council as owners of the collection. 3.13 Under the Scheme of Delegated Functions, the Head of Policy and Partnerships has delegated authority, in consultation with the Leader of the Council, to oversee OneRen’s obligations in relation to these collection transactions. However, the delegation does not apply in the case of: Any matter out with the Collections Agreement which is of material interest to Renfrewshire Council and /or its reputation; Loan requests of items from the Recognised Collection (the Paisley Shawl Collection); Sampling and analysis requests; Disposal and rationalisation; Spoliation / Repatriation. In such
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cases, the approval of the Leadership Board is required. Accordingly, approval to release the Objects is requested in paragraph 2.1 (a) of this report. ___________________________________________________________________ Implications of the Report 1. Financial –PAI will be responsible for the costs of the uplift including payment for the specialist art handlers and appropriate insurances. 2. HR & Organisational Development – The uplift of the Objects will be co-ordinated and managed by OneRen staff. 3. Community/Council Planning – None arising from this report. 4. Legal – PAI’s Trustees have each provided, to the Council and OneRen, warranties confirming that the Objects are owned by PAI and indemnities against any liability arising from competing ownership claims. 5. Property/Assets – None arising from this report. 6. Information Technology – None arising from this report. 7. Equality & Human Rights - The Recommendations contained within this report have been assessed in relation to their impact on equalities and human rights. No negative impacts on equality groups or potential for infringement of individuals’ human rights have been identified arising from the recommendations contained in the report because for example it is for noting only. If required following implementation, the actual impact of the recommendations and the mitigating actions will be reviewed and monitored, and the results of the assessment will be published on the Council’s website. 8. Health & Safety – The uplift arrangements will be appropriately risk assessed. 9. Procurement – None arising from this report 10. Risk – PAI will require to ensure appropriate insurances are in place for the uplift of the Objects. 11. Privacy Impact – None arising from this report. 12. Cosla Policy Position – Not applicable. _________________________________________________________ Authors: Laura McIntyre, Head of Policy and Commissioning and Lynn Mitchell, Managing Solicitor (Contracts and Conveyancing)
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Appendix 1 Object Number Title Artist TEMP.2018.2322 Paisley's Domes and Spires Houston, Falconer TEMP.2018.2336 Glasgow Houston, Falconer AT.C91 Figure Subject Germanicus MacDougall, Hugh TEMP.2020.11 Moonlight, Firth of Clyde Brady, Emmet TEMP.2017.1311 Self Thomson, Eve AT.C97 Dinant on the Meuse Cameron, David Young AT.C98 Market of St. Germains, Paris Rushbury, Sir Henry G. AT.B29 York Minster Bone, Sir Muirhead AT.B74.1 Landscape with Figures, Sheep & Cattle Hargitt, Edward AT.C233 Loches Cameron, David Young TEMP.2020.57 A View of Paisley from the East Paul, Robert AT.A189v Poultry Livens, H. M. AT.B72.1 Landscape with figures Artz, Constant AT.B75 A Haymaker Burr, John TEMP.2020.94 The Guest House, Gargunnock Bone, Sir Muirhead TEMP.2019.290 Danae II Ross, Alastair, R. AT.D76 Bust of the Late Provost Robert Cochran Shanks, William Somerville TEMP.2019.820 Paisley Head Allan, Tom AT.D56 Peter Coats Proudfoot, Alexander AT.D65 Provost Peter Eadie Shannan, McFarlane, A. M AT.A189AN Effet de Neige Thaulow, Fritz AT.A89M The Paisley Shawl Newbery, Francis AT.B189L Firelight Reflections Guthrie, James AT.B189T The Mosque, Evening Meville, Arthur ARTTEMP.2017.92 Behold the Scorpion Cosgrove, James TEMP.2018.2315 Hero of the Town Howson, Peter AT.B189A The Well Lhermitte, Leon Augustin AT.A189U Snowscene Le Sidaner, Henri Eugene AT.B189H Entering the Fold Lhermitte, Leon Augustin ARTTEMP.2017.55 Craig Dhu Cameron, David Young AT.A189ae A Rough Sea Lavery, John AT.A123 A Portrait of an Old Lady Kennedy, William J. AT.A189W The Glen Concert Lavery, John AT.A130 Nethy Bridge MacGregor, William AT.A189AS Waterfall, The Glen Lavery, John AT.A102 Courts of the Paisley Lawn Tennis Club Lavery, John AT.A181 The Hen Roost Pirie, George AT.A189AJ James Fulton Lavery, John AT.A122 A Portrait of an Old Gentleman Kennedy, William J. AT.A209 Hydrangeas Park, Stuart AT.A217 Landscape Walton, Edward Arthur AT.A118 The Oak and the Ash Walton, Edward Arthur AT.A94 Cattle Scene Denovan, J. AT.B189AD Head of Ullswater Bough, Samuel AT.A247 Portsoy Harbour Coventry, Robert McGown AT.A297 By the Loch Side Coventry, Robert McGown AT.A189ao Woodland Scene Docharty, Alexander Brownlie AT.A195 Cattle Resting Douglas, Andrew AT.A95 Queen's View, Loch Tummel Farquharson, David AT.B73 Landscape with Stream and Figures Farquharson, David AT.A288 Landscape with Sheep Fisher, Mark AT.A289 Gypsies in a Landscape Fraser, Alexander AT.A159 An Old Mill, Barncluith Fraser, Alexander AT.A292 Mending of the Nets Fraser, Alexander TEMP.2017.571 Kilchurn Castle, Loch Awe Fripp, G. A. AT.A131 Midsummer Pastures Fraser, Alexander Page 1 of 5
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Appendix 1 Object Number Title Artist AT.A194 Coming of Winter Houston, George AT.A119 A Highland Drove Road MacWhirter, John TEMP.2017.573 My Hearts in the Highlands McCulloch, Horatio AT.A190 The Breath of Autumn Murray, David AT.A178 A Frosty Morning near the Mouth of the Lugar Mauchline Riddel, James AT.A231E Autumn Afternoon on Loch Katrine MacWhirter, John AT.A165 Gloaming in the Eye Wintour, John Crawford AT.A239a Garelochhead Wright, James AT.A296 River Scene with Fishing Boats Allan, R. W. TEMP.2017.236 A Model Dobson, Cowan AT.A309 The Pass of Lenny Kay, Archibald AT.A204 Fan Tails Law, Andrew AT.A210 A Continental Street Kay, James AT.A153 Birdport Weaving Newbery, Francis Henry AT.A290 The Breton Girl Dean, Stansmore Richmond Leslie AT.A113 The Late William Rowat Newbery, Francis Henry AT.A156 Still Life McGlashan, Archibald A. AT.A199 Portrait of Archibald Kay Shanks, William Somerville AT.A100 The Gleaners Torrance, James AT.A105 Mermaid Greiffenhagen, Maurice AT.A121 Passing Day Wilson, David Forrester TEMP.2019.1132 Portrait of JAD MacKean? (dated 1917) Greiffenhagen, Maurice AT.A106 Home from the Fishing Bryce, William Snodgrass AT.A207 Wailing Potatoes Brown, William Marshall AT.A174 Spaniel and Terrier Fulton, Sam AT.A189aw The Byre Haig, J. Hermiston AT.A89n Motherless Fildes, Luke AT.A343 Mourning, Mary and Dora Hutchison, Robert Gemmell AT.A184 The Windmill, Holland Lochhead, John AT.A189AC Companions Orchardson, William Quiller AT.A285 Conversation Reid, George Ogilvy AT.A89B The Penny Whistle Stewart, William AT.A152 The Dominie Stewart, William AT.A133 William Stewart, Self Portrait Stewart, William AT.A183 Michelangelo Sculpting the 'Statue of Night' Paton, Joseph Noel AT.A151 Massacre of the Innocents Paton, Joseph Noel AT.C89A Figure Study - Germanicus Blair, John AT.A171 Church of the Nativity, Jerusalem Roberts, David AT.A89A Blind Harry Reciting the Deeds of Wallace Allan, William AT.C89B Figure Study - Venus Blair, John AT.A284 Christ and Two Figures in a Landscape Dolci, Carlo AT.A134 The Exile Blair, John 2018.148 Medal mounted in frame of "The Exile" (AT.A134) AT.C107 Frieze Hill, Mrs. A. McL. R. AT.A205 Goat and Kids Thomson, J. Murray AT.A89L John Brown Monro, Hugh AT.A120 Katriona Hutchison, William Oliphant AT.A215 The Golden Apple Hope, Robert AT.A141 Mother and Child Foggie, David Simpson AT.A208 The Dressing Table Foggie, David Simpson TEMP.2017.259 At Arbroath Harbour Cusack, Aideen 1946.245 Merlin and the Fairy Queen Duncan, John AT.A238B A Rockbound Coast Cursiter, Stanley AT.A142 Portrait of a Lady Alison, David AT.A154 Still Life Anderson, James Bell AT.B28 Bachanalle Smyth, Olive Carleton Page 2 of 5
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Appendix 1 Object Number Title Artist AT.A203 January, Where Daffodils Grow Birch, Samuel John Lamorna AT.A219 Interior Elwell, Mary AT.A308 Art and the Jade Draper, Herbert James AT.A213 Summer Morning Glehn, Wilfred Gabriel de ARTTEMP.2017.65 The Kiln by the Sea Flint, William Russell AT.A140 Lady in Black Shawl Shannon, Charles AT.A163 A Lock on the Stour, Suffolk AT.B21 The Shrine of our Lady, Abbeville Laing, James G. AT.B18 The Church, Montreuil - sur- mer Paterson, Emily M AT.B114 After-market gossip Yugoslavia Loxton, John TEMP.2017.500 Oude Delft Jungman, Nico AT.B30 The Market, Concaraneau Dixon, Anna TEMP.2017.2638 Landscape With Snow Muhrman, H. AT.C106 Ajax Hill, Mrs A. McL. R. AT.A206 Still life with pumpkin Anderson, James Bell AT.B90 Summer Time Park, Andrew AT.A376 Portrait of John Brown McTaggart, William TEMP.2017.2640 Calves Barr, William AT.A89K Mrs Stewart Clark Lockhart, William Ewart AT.A170 George Barclay Esq Carter, William AT.A103 Sir Peter Coats McNalty, I. 1914.14.b View of river and Abbey at Paisley, Renfrewshire Dukes and Sarjent TEMP.2017.224 Through the Arched Window McDonough, Michael AT.B70 Winter's Fuel Meulen, F.P. Ter AT.C105 School House, Ballantrae Bone, Sir Muirhead AT.B189Z A Rainy Sunset Clausen, G. TEMP.2017.2623 Scene d'Hiver Muhrman, Henry AT.B189M Scene D'Hiver Muhrman, H. AT.A287 Landscape with Shephard & Sheep Ter Meulen, F. P. AT.A189o Femme col Broderie Carriere, Eugene AT.A189AI Flower Piece Gues, Alfred AT.B189X Cottages at Night Clausen AT.A214 A Sunlit Strand Burgess, Arthur James Wetherall TEMP.2017.437 Interior with mother and child Valkenburg AT.B20D Portrait of John Polson Legros, Alphonse AT.A145 Brittany Fish Market Mura, Frank AT.B25 Bather Zorn, Anders AT.B76 Woodland scenes with lumberman Zwart, W. H. De AT.A189E The Windmill Jacque, Charles Emile AT.B71 Cattle Ter Meulen, F. P. AT.A293 Landscape with Cow and Calves Haas, Joannes Hubertus Leonardus de AT.A189Q Meadow Pasture Jacque, Charles Emile AT.A189R Landscape Diaz de la Pena, Narcisse Virgil ARTTEMP.2017.63 Dutch Landscape Hervier, Louis Adolphe AT.A291 Watering Horses Echenfelder, F. AT.A161 Un Sous Bois Avec Des Vaches Troyon, Constant AT.A294 Resting Beck, Theodor V. N. AT.A286 Landscape with Cattle Maris, Willem AT.A189I The Mill Stream Corot, Jean-Baptiste-Camille AT.B189J Landscape - Lone Tree Walton, Edward Arthur 1994.341 Nude Curr, James AT.B189AG Sheep Duff, J. R. K. TEMP.2017.411 Back View Dunbar, Lennox TEMP.2017.1205 The Find Dunbar, Lennox AT.A89F Portrait of R. A. Smith Campbell, W. R. AT.C109 Fascisti Rushbury, Sir Henry G. Page 3 of 5
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Appendix 1 Object Number Title Artist AT.B40 The Pirn Wheel Wright AT.B69 Bringing Home Peats Smart, John TEMP.2017.1074 Cardiadae McMurdo, Wendy A. TEMP.2017.396 Prime Whitty, Jim 1991.134 Fish Supper McInnes, Jock TEMP.2017.395 Uninvited Guests McIntyre, Keith TEMP.2017.277 The Yoker Yards Calder, Tom TEMP.2017.1256 Celtic Ring MacInnes, Jock 1991.133 This Stall is for Progress Young, Jennifer M. TEMP.2017.1076 Scratch Wilson, Robert TEMP.2017.255 Tracy Wilson, Helen F. TEMP.2017.291 Mirror Mirror Howard, Ian TEMP.2017.1319 The Model Paul, Muzni TEMP.2017.238 Evening Light San Marco Birnie, William TEMP.2017.1321 Shore Grave Wright, Bill TEMP.2017.1242 Mysterium Magnum Kingsley, John AT.A116 Midsummer Gauld, David TEMP.2017.1134 Yachts of Iona Kelsey, Robert TEMP.2017.557 Still Life with Cala Lilies Knox, Liz TEMP.2019.1156 The Boathouse, Culzean Duff, Margaret TEMP.2017.1120 Flotsom and Jetsam Hargan, Joe AT.C95 Near Modena Bone, Sir Muirhead ARTTEMP.2017.56 Trevi Fountain Bone, Sir Muirhead AT.C103 Moonlight in Stirlingshire Bone, Sir Muirhead AT.A223 Garibaldi near Palermo Ademollo, Carlo AT.A189G Landscape Daubigny, Charles-Francois AT.A172 Un Matin Brumeaux Corot, Jean-Baptiste-Camille AT.A189AU Red House, Bruges Le Sidaner, Henri AT.A189AQ - A89 Church Exterior Le Sidaner, Henri Eugene AT.A155 Road to Deauville Boudin, Eug�ne Louis AT.A189AF Kittens Lambert, Louis Eugene AT.A160 Boeufs a Labour Troyon, Constant AT.A189AA Shades of Evening Allonge, Auguste AT.A189B Schooners Outside Antwerp Boudin, Eugene Louis AT.A189Y In the Wood Lavieille, Eugene Antoine Samuel AT.A189AV The Sentry Cazin, Marie AT.A189C Harbour Scene, Trouville Boudin, Eugene Louis AT.A189AM Le Coucher de Soleil Daubigny, Charles-Francois AT.A162 Love's Messenger Diaz de la Pe�a, Narcisse Virgile AT.A189F Roadway and Cottages Cazin, Jean-Charles AT.A182 Landscape: The Full Moon Hervier, Louis Adolphe AT.A147 The Destruction of Pompeii Monticelli, Adolphe AT.A189AP Peaches and Greengage Fantin-Latour, Henri AT.A189D Landscape Rousseau, Theodore AT.A189N Lady Resting Fantin-Latour, Henri AT.A189K Paysage de Neige Courbet, Gustave AT.A189AT Peaches and Grapes Fantin-Latour, Henri AT.A189AB Claire de Lune Le Sidaner, Henri Eugene AT.A179 Pink and Gold Cadell, Francis Campbell Boileau AT.A104 The Red Fisherman Christie, James Elder AT.A143 Thermae of Caracalla Cameron, David Young AT.A101 Mealfourvonie Cameron, David Young AT.A108 Tam O'Shanter Christie, James Elder AT.A167 Halloween Frolics Christie, James Elder AT.A189AL Willows (Farm Scene) Gauld, David AT.A107 Hallowe'en Christie, James Elder Page 4 of 5
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Appendix 1 Object Number Title Artist AT.A230 Suffer Little Children to Come unto Me Christie, James Elder ARTTEMP.2017.53 Melrose Cameron, David Young AT.A274 The Stonebreaker Guthrie, James AT.A382 Summer Afternoon Wells, William Page Atkinson AT.A193 Glen Fruin Hamilton, James Whitelaw AT.A225 Roses Park, Stuart AT.B24 Durham Paterson, James AT.A117A Spring (Triptych, left panel) Henry, George AT.A189A The Tortoiseshell Mirror Henry, George AT.A117C Winter (Triptych, central panel). Henry, George AT.A117B Autumn (Triptych, right panel). Henry, George AT.A96 John Millar Henry, George AT.A216 Lady with Green Scarf Henry, George AT.A180 Beauty and the Beast Henry, George AT.A189ay The Reverie Kennedy, William J. AT.A89J Voices in the Woodland Hornel, Edward Atkinson AT.A112 Village Cross, Woolhampton Kennedy, William J. AT.A127 The Vidette Kennedy, William J. AT.A411 Pink Rose, Fruit & Still Life Hunter, George Leslie AT.A218 Landscape Stevenson, Robert Macauley AT.B74.2 Frame for "Landscape with Figures, Sheep & Cattle" Hargitt, Edward AT.B72.2 Frame for "Landscape with figures" Artz, Constant Page 5 of 5
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Appendix 2 Object Number Title Artist A189AR House with Green Shutters Le Sidaner, Henri Eugene Augustin B26 The Eildon Hills Cameron, David Young C111 Tolbooth Steeple, Glasgow Thomson, Alexander P. B79 Cows and Sheep Cooper, Thomas Sidney Page 1 of 1