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Cultural Heritage and Arts Assembly for Argyll and Isles (CHARTS)

Argyll and Bute Council · 11 September 2024
Back to Oban Lorn & The Isles Area Committee — 11 September 2024 and its agenda

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28 GEM Case Studies Vol.32 2024
Kathleen O’Neill
The Culture, Heritage and Arts Assembly, Argyll and Isles (CHARTS),
in partnership with Argyll and Bute Council
Community
Summary
The Argyll Collection, Reconnected,
explores the cultural significance 
of a collection of artworks, built from
an idea first conceived over 60 years
ago. Believed to be unique in the 
UK for its forward-thinking concept
and transient composition, this
moveable collection is located
throughout Scotland’s second largest
region, currently in 13 schools and 
2 libraries, including four islands 
and mainland Argyll.
Background
Enabled by the former local authority,
Naomi Mitchison, well known Scottish
artist, author and Argyll resident
and Jim Tyre, Council Arts Advisor,
created the collection in the 1960s
to a total of 179 pieces, paintings,
ceramics, textiles and sculptures.
Astutely sourcing works from artists
Reviewing a Museum
Without Walls – 
The Argyll Collection,
Reconnected
in Scotland and Uganda, they made
contemporary art accessible to pupils
attending Argylls rural primary and
secondary schools. Creating the
collection as a tool for learning, they
were authorised to spend up to £100
per single purchase.
“Argyll school children have very little
chance of visiting art galleries. Even
if there is an art exhibition in the few
centres of population, only those who
live close are likely to see it.”
Naomi Mitchison
Challenge
The collection now contains what
is believed to be amongst the best
collection of African art in Europe
and includes some of Scotland’s
best-known artists. Therefore, the
Reconnected challenge was always
multi-fold, to know how best the
collection could be profiled and
utilised, while still meeting its 
original purpose as a tool for
educational progression.
Approach
To address challenges, the culture-
support charity CHARTS appointed
both a Reconnected project and
research manager to simultaneously
ascertain both the current and 
former educational and social life 
of the artworks.
Intended outcomes
Aims included to raise the profile
of the collection in schools across
subject areas, in community contexts,
and nationally in the context of
museums, galleries and heritage.
Intended outputs
Intended outputs included to create
exhibitions, case studies, assess
protection needs and build evidence
to enable future resource.
Obstacles and issues
Essential external funding for
infrastructure support ceased for
the collection in 1990 and therefore
Reconnected became the much-
needed catalyst from the outset to
inform new collection systems and
management processes. Relationship
building with schools and others was
also a critical project component,
as staff sought to understand any
ongoing use of the artworks across
the curriculum and otherwise.
Locating a trail of archival information
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29 GEM Case Studies Vol.32 2024
dispersed nationally, became vital for
future-proofing the collection.
Collectively this placed additional
demands on staff scheduling,
compounded by travelling across
mainland and islands with poor roads,
limited ferries and train services.
Actual outcomes
Outcomes have included a new
inventory with priority to arrange
central storage for works identified
as at risk and to offer CPD and online
toolkits for teaching staff keen to
uptake all the project ‘re-offers’.
Global audiences are now possible
by the recent merger of the digital
springboard Smartify, enabled by
support from Highlands and Islands
Enterprise Xpo North initiative,
including content development
support. Exhibitions are being
curated and academic partners are
now working with Reconnected to
create higher education and in-
school learning opportunities. The
project was presented at the Scottish
Association of Art History fortieth
anniversary conference in March 2024.
Actual outputs
As an organisation with co-working
at the heart of its operational
structure CHARTS has enabled its
international staff to collaborate on
development by visiting Uganda,
‘re-connecting’ with related people,
institutions, and place, regenerating
the life of the African pieces in the
collection. New economic and
educational relationships have been
built to contribute to exhibitions and
presentations and this has included
an exhibition research traineeship
supported by the National Lottery
Heritage Fund, also assisting to 
build youth engagement beyond
school walls.
Lessons learned
Since the inception of the Argyll
Collection, cultural-economic and
educational circumstances have
vastly changed nationwide, leading to
the local authority seeking CHARTS
support to protect this key asset.
Initial partnership quickly revealed far
greater potential for Reconnected and
demanded more time than anticipated
for foundational work.
Reconnected has been vastly
assisted with generous in-kind
support of St Andrews University’s
Find out more
CHARTS – The Argyll Collection,
Reconnected, Showcase
chartsargyllandisles.org/project-
showcase/the-argyll-collection-
reconnected
Argyll and Bute Council – 
The Argyll Collection 
www.argyll-bute.gov.uk/
argyllcollection/about
St Andrews – African Collection
st-andrews.ac.uk/art-history/
research/impact/modern-african-
art-in-the-argyll-collection
Contact:
Rosalyn McKenna, Project
Manager Rosalyn@
chartsargyllandisles.org 
Kirsty McNab, Research Manager
Kirsty@chartsargyllandisles.org 
Kathleen O’Neill, CHARTS
Director Kathleen@
chartsargyllandisles.org
CHARTS 
will continue to
develop paid training
opportunities
focused on the Argyll
Collection, mindful to
maintain the original
concept that the
collection be ‘owned
and of value’ to young
Argyll residents.
School of History (Dr Kate Cowcher)
and Glasgow University (museums
and conservation). We now better
understand how a complex range 
of stakeholders can be positioned 
for ongoing development and
consider this essential to fully 
realise the significance of this
outstanding collection.
Next steps
Next steps include local area
discussions with young people and
new stakeholders to help inform a
codesigned development strategy
between CHARTS and the local
authority. This will assist to enable
future benefits with cross-curricular
outcomes and attract resource for
ongoing development in both cash
and kind.
CHARTS will continue to develop
paid training opportunities focused
on the Argyll Collection, mindful to
maintain the original concept that the
collection be ‘owned and of value’ to
young Argyll residents. International
development will also include
Makerere University, in Kampala,
fostering opportunities for refreshed
interpretation of African works and
exchange projects for Argylls artists.
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